January 17, 2023 | Leave a comment Social History of Flamenco Cruces-Roldán, Cristina. “Los grupos étnicos: moriscos y gitanos en minoría” in El flamenco y la música andalusí, Carena, 2014. Encinias, Marisol. Flamenco Puro: Pursuing Truth in Flamenco and Looking at My Own Work Through the History of Flamenco. University of New Mexico, 3 July 2012, https://digitalrepository.unm.edu/thea_etds/18. Grimaldos, Alfredo, and José Manuel Caballero Bonald. Historia social del flamenco. Península, 2010. De La Plata, Juan. “Esclavos, Moriscos, y Gitanos: La Etapa Hermética Del Flamenco” Revista de la Flamencología. 1996. Articulations of (counter)modernity Bohlman, Philip Vilas. The Music of European Nationalism: Cultural Identity and Modern History. ABC-CLIO, 2004. Mora, Kiko, and Goldberg, K. Meira. Spain in the Basement. Dancing Race and Nation at the Paris Exposition, 1900. 2019. Sell, Mike. “Bohemianism, the Cultural Turn of the Avantgarde, and Forgetting the Roma.” TDR/The Drama Review, vol. 51, no. 2 (194), June 2007, pp. 41–59. Silverchair, https://doi.org/10.1162/dram.2007.51.2.41. Christoforidis, Michael, and Elizabeth Kertesz, Carmen and the Staging of Spain: Recasting Bizet’s Opera in the Belle Epoque (New York, 2018; online edn, Oxford Academic, 22 Nov. 2018), https://doi.org/10.1093/oso/9780195384567.001.0001, accessed 25 Dec. 2022. Bennahum, Ninotchka. Antonia Merce, ” La Argentina”: Flamenco and the Spanish Avant Garde. Wesleyan University Press, 2000. Goldberg, K. Meira. Sonidos Negros: On the Blackness of Flamenco. Oxford University Press, 2018. Musser, Amber Jamilla. “Racialized Femininity and Representation’s Ambivalences in Trajal Harrell’s The Return of La Argentina.” Post45: Peer Reviewed, Oct. 2022. post45.org, https://post45.org/2022/10/racialized-femininity-and-representations-ambivalences/. Articulations of (counter)national history Pardo Ballester, Trinidad. Flamenco: Orientalismo, exotismo y la identidad nacional española. Georgetown University. ProQuest, https://www.proquest.com/docview/304877472/abstract/9CEA8E34414A41F8PQ/1. Accessed 17 Jan. 2023. Winrow Hart, Marion. La Nación Flamenca: The Influence of Flamenco on Spanish Nationalism. University of California, Irvine. ProQuest, https://www.proquest.com/docview/1452962219/abstract/BC017D1399F34155PQ/1. Accessed 17 Jan. 2023. Cruces-Roldán, Cristina. “Bailes Boleros y Flamencos En Los Primeros Cortometrajes Mudos. Narrativas y Arquetipos Sobre «lo Español» En Los Albores Del Siglo XX.” Revista de Dialectología y Tradiciones Populares, vol. 71, no. 2, Dec. 2016, pp. 441–65. doaj.org, https://doi.org/10.3989/rdtp.2016.02.005. Llano, Samuel. “Flamenco, Flamenquismo, and Social Control.” Discordant Notes: Marginality and Social Control in Madrid, 1850-1930, edited by Samuel Llano, Oxford University Press, 2018, p. 0. Silverchair, https://doi.org/10.1093/oso/9780199392469.003.0004. Casellas, Jesús López-Peláez. “The Politics of Flamenco: La Leyenda Del Tiempo and Ideology.” Popular Music, vol. 36, no. 2, May 2017, pp. 196–215. Cambridge University Press, https://doi.org/10.1017/S0261143017000058. Flamenco Bodies as Archives Alicia Navarro: Cuerpo Feminista, Cuerpos Fragmentados y Cuerpos Adheridos En La Estética Flamenca. Directed by MACBA Barcelona Oficial, 2012. YouTube, https://www.youtube.com/watch?v=vTyCSXfh5YA. Mora, Kiko. A Counter-Hegemonic Portrait of Blackness: La Perla Negra, Between the Rumba and Modern Dance (1913-1928) (In)Authenticity and (Im)Purity Sánchez-Verdú, María, and Federico García Lorca Sotelo. “Elogio de La Apropiación. Prácticas Impuras, Flamenco y Creación Contemporánea.” Cuadernos de Música Iberoamericana, vol. 32, 2019, pp. 95–114. Manuel, Peter. “The Rosalía Polemic: Defining Genre Boundaries and Legitimacy in Flamenco.” Publications and Research, Jan. 2021, https://academicworks.cuny.edu/jj_pubs/339. Technologies of Capture (Film) Cruces Roldán, Cristina. “Presencias Flamencas En Los Archivos Gaumont-Pathé: Registros Callejeros En La Granada de 1905.” Presumes Que Eres La Ciencia: Estudios Sobre El Flamenco, 2015. van Tongeren, Carlos. “Distinctive Culture: Framing Flamenco Artistry in Polígono Sur: El Arte de Las Tres Mil by Dominique Abel.” Journal of Spanish Cultural Studies, vol. 18, no. 2, June 2017, pp. 169–89. The Beyond Meyerson, Ben. Over-Abundance and Ineffability: Flamenco, Mysticism and the Joyful Language-Game. p. 26. Riquelme, Pedro Fernández. “La religiosidad en el Cante de las Minas. Dios en el Flamenco */Religiosity in the Cante de las Minas. God in Flamenco.” Revista Murciana de Antropología, no. 19, 2012, pp. 129–33.